By Toni Schlesinger
A flop condominium, a pumping station, a maid's room, a homeless middle, a former brothel, a Richard Meier development, a circus trailer, a sail boat, a skyscraper, structures named Esther and Loraine—just the various locations New Yorkers name domestic. For the earlier 8 years author Toni Schlesinger has been bringing us those "conversation places" in her weekly column within the Village Voice. via her incisive wondering, unique writing, and comedian parallel reveries, Schlesinger creates miniature documentaries at the lives, passions, hopes, and heartbreaks of lots of long island City's thousands.
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Extra resources for Five Flights Up
Treated once 5. Contaminated / saline / raw sewage PROJECT KEY NOT INTEGRATIVE 4 COLLECTING 01 > 10000L INFRASTRUCTURAL HIGH WIND N LOW INTEGRATIVE LANDSCAPE > 1000L 1 5 3 > 100L > 10L NUL HIGHLYINTEGRATIVE PERFORMANCE DIAGRAM 4 5 ARCHITECTURAL 2 1. Water input quality 2. Water output quality 3. Energy consumption 4. Integration 5. Scale Out Of Water 6: Sample project panel 6 45 46 Young Architects 11 Frida Escobedo Lopez 48 50 52 54 55 56 60 61 64 66 Casa 24 Casa 602 Casa Negra 1854 bis Proyectos Monclova Social Equipment Guide Affordable Housing Hotel Bocachica Gray Box Ordos 100 Foresight In architecture—especially in Mexican architecture—you can never be certain of what the final result will be.
The diagrams and models were presented, along with some representative objects collected during the research phase, in a closed container: a mute box that would reflect the auto-imposed barriers set in an enclosed territory. Technical Data: 1. 7-inch wood conglomerate board set on a steel structure 2. A Kenworth AeroCab Sleeper with two display cabinets containing objects found in situ: shoes, movies, medicine boxes, and food 3. 5-inch wood conglomerate board, polyethylene foam, a monitor, and a DVD player 4.
Aquaculture volume = 950 gal. T. Hybrid Urban Sutures Fez, Morocco, 2006 This project investigates the relationship between infrastructure and urban fabric in the context of Middle Eastern historical city centers, the medinas. In doing so, it proposes a new model of intervention in historic fabrics and generates formal and programmatic innovations from a highly loaded and restrictive world heritage site, the medina of Fez. In the midst of current trends that oscillate between the blunt mimicking of the traditional courtyard typology and the deployment of kitschy, ostentatious regionalism, this project develops a response that is sensitive to both the Fez medina’s stringent building regulations and the integrity of the existing context while utilizing an aggressively creative architectural language.