By Sara Cockerill
Eleanor of Castile, the striking lady at the back of England's maximum medieval king, Edward I, has been successfully airbrushed from heritage; but she had probably the most interesting lives of any of England's queens. Her youth used to be spent within the centre of the Spanish reconquest and was once ruled by way of her army hero of a father (St Ferdinand) and her prodigiously shrewdpermanent brother (King Alfonso X the Learned). Married on the age of twelve and a mom at 13, she gave start to at the least 16 teenagers, such a lot of whom died younger. She was once a prisoner for a yr amid a civil struggle within which her husband s lifestyles used to be in acute possibility. dedicated to Edward, she followed him all over the place, together with on campaign to the Holy Land. All in all, she was once to dwell for prolonged sessions in 5 diversified international locations. Eleanor was once a hugely dynamic, forceful character who acted as a part of Edward s innermost circle of advisers, and effectively amassed an enormous estate empire for the English Crown. In cultural phrases her effect in structure and layout or even gardening may be discerned to at the present time, whereas her idealised photograph nonetheless speaks to us from Edward s appealing memorials to her, the Eleanor crosses. This booklet unearths her untold story.
'A magnificent new lifetime of some of the most magnificent powers in the back of England's medieval throne. Sara Cockerill writes with scholarship and verve, bringing alive the medieval global and laying off new mild on a misplaced Plantagenet queen.' -- Dan Jones, bestselling writer of The Plantagenets 'A compelling and intricately researched biography that brings one in all history's such a lot interesting, influential but missed queens out of the shadows.' -- Tracy Borman, Joint leader Curator for old Royal Palaces and writer of Thomas Cromwell and Matilda: Queen of the Conqueror 'A committed queen, a lady of letters, a prepared gardener, an enthusiastic huntswoman and an acquisitive landlord, Eleanor of Castile was once a posh lady. This deeply researched biography brings out wonderfully the contradictory elements of a queen whose occupation has now not, beforehand, had the eye it merits. Sara Cockerill units Eleanor in an entire context, bringing out the significance of her Spanish history, and delivering new insights into the function she performed in her husband Edward I's rule.' -- Michael Prestwich, Professor Emeritus, Durham University
About the Author
Sara Cockerill shelved an early ardour for background to acquire a first-class measure in legislations from Oxford in 1989 and be referred to as to the Bar in 1990. She has considering been practicing as a barrister specialising in advertisement disputes and indulging her old pursuits in such spare time as she may possibly locate. She has spent ten years discovering Eleanor of Castile. She is married with one cat, and divides her time among London and the seashore.
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Extra info for Eleanor of Castile: The Shadow Queen
A horse trader from Thessaly, a land famous for horses where Philip had close connections, brought an expensive animal for the king’s inspection. The horse was named “Bucephalas” (“Oxhead”) and, although a magnificent physical specimen suited to be a superb cavalry mount, seemed completely wild and untamable. Philip was about to send horse and salesman away, when Alexander, still a young teenager, complained out loud at the loss of such a fine beast, making it clear that he thought that the older men were too scared to ride the horse.
Alexander also complained to his friends that he was not given enough credit for the victory in that battle, or for the war with the Maedi. At this time, too, Philip accused his wife Olympias of being unfaithful and expelled her from his bedroom. This dishonor to Alexander’s mother was dishonor to her son. Competition Between Fathers and Sons Philip, Alexander’s father, was proud of his son’s early accomplishments. By the time the boy became a teenager, however, they were rivals, in a way commonly depicted in Greek myth.
Alexander’s presence and visible support was required, since the son’s demonstrated excellence and hardearned fame would reflect glory onto the father. An international crowd, Macedonians and Greeks, gathered to cheer the opening event, a parade into a large outdoor auditorium. The scale of this procession resembled the opening ceremonies of the modern Olympic games, but Philip’s procession honored gods, not athletes. He had ordered artists to make statues representing the twelve Olympian gods, decorating them with costly ornaments to show his respect.