Download Cultural Heritage in Transit: Intangible Rights as Human by Deborah Kapchan PDF

By Deborah Kapchan

Are human rights common? The quick reaction is "yes, of course." notwithstanding, that straightforward confirmation assumes contract approximately definitions of the "human" in addition to what a human is entitled to less than legislations, bringing us speedy to innovations akin to freedom, estate, and the inalienability of either. the belief that all of us suggest a similar issues by way of those phrases consists of a lot political import, specially provided that diversified groups (national, ethnic, spiritual, gendered) enact one of the most simple different types of human adventure (self, domestic, freedom, sovereignty) in a different way. yet while criminal definitions usually search to get rid of ambiguity so that it will outline and safeguard the rights of humanity, ambiguity is actually inherently human, specially in performances of history the place the rights to feel, to visualize, and to say cultural identities that withstand circumscription are at play.
Cultural history in Transit examines the intangibilities of human rights within the realm of historical past construction, focusing not just at the ephemeral tradition of these who practice it but in addition at the ambiguities found in the assumption of cultural estate in general—who claims it? who may well use it? who are usually not yet does? during this quantity, folklorists, ethnologists, and anthropologists research the perform and function of tradition particularly contexts—including Roma marriage ceremony track, Trinidadian wining, Moroccan verbal artwork, and Neopagan rituals—in order to attract aside the social, political, and aesthetic materialities of background construction, together with inequities and hierarchies that didn't exist ahead of. The authors jointly craft theoretical frameworks to make feel of the methods the rights of countries have interaction with the rights of people and groups while the general public price of inventive creations is constituted via foreign law.

Contributors: Valdimar Tr. Hafstein, Deborah Kapchan, Barbro Klein, Sabina Magliocco, Dorothy Noyes, Philip W. Scher, Carol Silverman.

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Extra resources for Cultural Heritage in Transit: Intangible Rights as Human Rights

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Moreover, the Turkish delegate insisted, “we should retain the phrase we are discussing” because “it promotes tolerance within the community towards the intangible cultural heritage of other communities and groups” (and “we should also show some respect to India even though they are absent”). Some raised questions regarding the relevance of “national life as a whole” to the duties undertaken by states in the article, and there was clearly a measure of discomfort surrounding this phrase among some delegations.

As a rule of thumb, one can expect one or more references to globalization and its damaging effects in any document, debate, or presentation on intangible heritage within UNESCO. This sense of danger shadows the notion of intangible heritage in UNESCO discourse. Actually, the menace of globalization is so consistently associated with intangible heritage that it seems intrinsic to the concept. In this, the concept brings with it connotations of urgency always associated with folklore and popular tradition, but it adds a distinctly global twist.

In this way the creator peoples gradually lose their folk art assets, while others, with better financial facilities, present as their own what was never a part of their tradition. The themes may, in some cases, be similar, but the décor and choreography are usurped. The third example is crafts. “In the realm of popular art,” writes the minister, which likewise forms part of national folklore and which has, at present, a large consumer market, there are similar filchings, as in the case of countries which reach the point of industrializing themes and techniques from the traditional patterns of the cultures of particular population groups and offering them at cut prices on the international markets with no statements of origin—­a process which, in addition to lowering the quality of the objects, means the “submarginalization” of Protection as Dispossession 27 large population groups who often depend for their livelihood on this paying work.

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