Download Buildings across Time: An Introduction to World Architecture by Marian Moffett, Michael Fazio, Lawrence Wodehouse PDF

By Marian Moffett, Michael Fazio, Lawrence Wodehouse

This seriously illustrated survey has been elevated in its moment variation to supply scholars of either paintings background and of structure with a world advent to the historical past of architecture.

Note: Scanned colour PDF with OCR.

Show description

Read Online or Download Buildings across Time: An Introduction to World Architecture (2nd Edition) PDF

Best art history books

Art & Visual Culture 1600-1850: Academy to Avant-Garde (Art & Visual Culture)

An innovatory exploration of artwork and visible tradition. via rigorously selected issues and subject matters instead of via a basic survey, the volumes strategy the method of artworks by way of their audiences, services and cross-cultural contexts. whereas considering portray, sculpture and structure, it additionally explores quite a lot of visible tradition in various media and strategies.

The Social History of Art: Renaissance, Mannerism, Baroque (Social History of Art (Routledge))

First released in 1951, Arnold Hausers commanding paintings provides an account of the improvement and that means of paintings, from its origins within the Stone Age via to the movie Age. This new version of a vintage paintings explores historic and social routine and the results those have had at the construction of art--the centrality of sophistication and sophistication fight, the cultural roles of ideologies and the settling on effect of modes of financial improvement.

Abstraction and Empathy: A Contribution to the Psychology of Style (Elephant Paperbacks)

Wilhelm Worringer’s landmark learn within the interpretation of recent paintings, first released in 1908, has seldom been out of print. Its profound effect not just on paintings historians and theorists but in addition for generations of inventive writers and intellectuals is sort of unparalleled. ranging from the concept that good looks derives from our experience of having the ability to spot with an item, Worringer argues that representational paintings produces pride from our “objectified get pleasure from the self,” reflecting a self assurance on the planet because it is—as in Renaissance artwork.

Early Netherlandish Paintings: Rediscovery, Reception, and Research

The so-called Flemish Primitives, a bunch of fifteenth-century painters from the southern Netherlands, received their identify within the 19th century. between them have been world-famous artists reminiscent of Rogier van der Weyden, Hans Memling, the brothers Van Eyck, and large van der is going. Their masterpieces, oil work minutely exact in luminous colour, are a excessive element of Western eu paintings, which, including the Italian Renaissance work, laid the rules for contemporary paintings.

Extra info for Buildings across Time: An Introduction to World Architecture (2nd Edition)

Example text

All three of these developmental pyramids were built or modified for one of the first pharaohs of the Fourth Dynasty, Sneferu (2575-2551 BCE), whose cult remained active for over 2000 years after his death. At Meidum, six miles south of Saqqara, Sneferu added an outer layer to the pyramid that may have been begun for Huni, the last pharaoh of the Third Dynasty. It began with a stepped core of seven stages, which was transformed into a true pyramid with the addition of two overbuildings. As the third and final outer casing of limestone was being installed, there is evidence that the upper portions of the work collapsed because the pyramid's stonework was insufficiently supported, given the relatively steep angle of inclination (51° 50' 35").

The body was placed at its base, and the shaft was then filled with stone and rubble to deter would-be robbers. In the serdab, a chamber above ground, a statue of the deceased would receive offerings. A later change toward increasing perma­ nence involved using stone in the construction of the mastaba. THE FIRST PYRAMIDS As the religious ritual prescribed by the priesthood changed to enhance the significance of the pharaoh, the mastaba was likewise enlarged to form a pyramid. At death the pharaoh accompanied the sun god on his daily journey across the sky, and he would therefore need to be lifted skyward in his eternal home.

They believed that human beings were created from the alluvial silt deposits in the river valleys to serve the gods and to relieve them of toil. Because the gods bene­ fited from human praise, they had to remain in human favor. Thus there was a balance in the creative and destruc­ tive forces of the gods and a mutual inter-dependence between people and gods. Urban communities developed around religious shrines, the dwelling places of the gods and the reposito­ ries for surplus food stores, and thus there were monu­ mental temple complexes at the heart of Sumerian cities.

Download PDF sample

Rated 4.70 of 5 – based on 9 votes